A fellow wedding photographer and colleague, Fritz Leidtke, wrote this terrific article for WPPIonline (that stands for Wedding & Portrait Photographers Intl.). In the article he writes about the kinds of demands placed on wedding photographers. It’s an interesting read for anyone who is interviewing potential photographers–and also a good reminder of why chemistry is such an important thing to factor in when choosing someone to document your big day.
Here’s an excerpt from the article:
That’s when it dawned on me: A wedding photographer has to be everything. Today’s top-notch wedding photographer has to be well versed in almost every aspect of photography. As portrait artists and fashion photographers, we must be able to capture elegantly posed images, and yet make them seem fresh and vibrant. Whether working in the studio with lighting gear, or on location with natural and artificial light, we have to create a pleasing and well-lit scene. We have to think on our feet, find appropriate locations, and help our subjects feel comfortable, relaxed and beautiful. And then we have to be a Richard Avedon, producing magazine cover-ready images.
We also have to be photojournalists. While beautiful portraits are expected, I find it’s the little details of the day–the stolen glances, the giggling girls, the outrageous dancers–that really make my customers smile or cry. We have to capture these moments in every imaginable type of light, indoors and out, in cavernous cathedrals and dark dance halls, in bright sunlight and glaring snow. We have to be Henri Cartier-Bresson, capturing several hundred decisive moments in the space of eight hours. All I can say is: Thank God for digital.
Many other types of photographic disciplines also come into play. Wedding photographers must be able to compose grand scenic, landscape and architectural shots, capturing the beauty of the venue. We have to arrange still lifes and products–even macro shots–of details such as cakes, flowers, rings, tattoos and decorations. If we shoot destination weddings, we have to be experienced with travel, and travel-related photography. And, of course, we’re all paparazzi.
A professional wedding photographer must also be a people person, a real Dale Carnegie, able to make friends and influence people. We have to be enjoyable to be around, because we’re at the wedding all day long. We have to smile, make people feel comfortable, coordinate well with other vendors and occasionally bring ease or laughter to a tense situation. By the end of the day, we have to be everybody’s friend, or, at the very least, not their enemy.
And a bit more:
And, in the end, after every wedding is over and the gear is put away, we have to be able to pull together a cohesive photo essay, well edited and color corrected, and beautifully laid out in a lovely book, magazine or DVD. (Which means we must also be editors, producers, graphic designers and filmmakers.)
If you would like to read the entire piece, go here: The Mutifarious Talents of the Modern Wedding Photographer, by Fritz Leidtke.
by Theresa Valls
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